Stanford e-Fukuoka is an online course that SPICE offers to high school students in Fukuoka Prefecture. Taught by Kasumi Yamashita, Stanford e-Fukuoka was launched this year with the support of the Fukuoka Prefectural Government and the U.S. Consulate Fukuoka. SPICE is grateful to Governor Seitaro Hattori and Principal Officer John C. Taylor for their vision and leadership. SPICE is grateful to Yuki Kondo-Shah, Public Affairs Officer, U.S. Consulate Fukuoka for her initiative and dedication to make this course a reality. SPICE is also appreciative of Chie Inuzuka, Director, Fukuoka American Center, who serves as a liaison between Fukuoka and SPICE for her unwavering support.

The Japanese proverb, 見ぬが花 (minu ga hana) or “Not seeing is a flower,” is sometimes translated as “Reality is never as good as one’s imagination.” This proverb crossed my mind during the lead-up to the opening ceremony for Stanford e-Fukuoka because the synergy leading up to the opening ceremony seemed almost too ideal.

Since 2019, Yuki Kondo-Shah has served as a guest speaker for SPICE’s Stanford e-Japan, a national online course for Japanese high school students that is supported by the Yanai Tadashi Foundation. When Kondo-Shah and I spoke a year ago about the possibility of launching Stanford e-Fukuoka, we spoke not only about Fukuoka as a breeding ground of new startups and innovation with ties to Silicon Valley, but also about the fact that many thousands of early immigrants to the United States in the late 19th and early 20th centuries trace their roots to the prefecture—thus, establishing a unique historical link between Fukuoka and the Japanese American community.

As Kondo-Shah and I spoke about the possibility of launching Stanford e-Fukuoka, my colleague, Kasumi Yamashita, was the instructor whom I had in mind from the outset. Yamashita had been on the Japan Exchange and Teaching (JET) Program in Fukuoka Prefecture for several years and I knew of her strong emotional ties to the prefecture. Once the course was approved by Governor Seitaro Hattori, Yamashita immediately accepted the position as instructor.

The opening ceremony was held on March 4, 2022 and moderated by Kondo Shah, and three dignitaries made welcoming remarks. First, Governor Hattori stated, “As Governor of Fukuoka, I take on the challenge set before me to foster the next generation of Fukuoka’s leaders who can compete in the global marketplace and be called upon by the international community. To ensure Fukuoka’s engagement in the global arena, we must gain multicultural competence and exchange ideas with people of diverse backgrounds. We must nurture our students to become global citizens.”

Second, Principal Officer Taylor noted the vision to make Fukuoka “an international hub” and how Stanford e-Fukuoka students “will become young leaders who will contribute to the growth and internationalization of the city… I believe that this Stanford program is a wonderful investment of your time and a way to gain those important skills.”

Third, Ambassador Emanuel expressed that “Throughout the last two and a half years, many of you have faced incredible challenges. But, here you are today, taking advantage of this exceptional international exchange program with one of America’s greatest universities that’s known worldwide… Through this program, you will learn about how important the United States and Japan are to each other. My hope is that you become future leaders to bridge our countries and build bridges of friendship.”

Following these comments, Yamashita shared fond remembrances of her JET Program years in Fukuoka and as she mentioned the schools with which she worked, one could see many nodding heads and smiles among the 30 students. She mapped out her vision for Stanford e-Fukuoka. This was followed by each student sharing his or her ambitions with the course and these prompted nodding heads and smiles among the adults in attendance.

In reality, seeing the ceremony unfold turned out to be even better than I had imagined. The proverb, “Not seeing is a flower,” was disproven on this occasion. In fact, taking part in the ceremony was like seeing 30 cherry blossoms begin to bloom—just as cherry blossom season begins in Fukuoka. With Yamashita’s mentorship and the continued support of the Fukuoka Prefectural Government and U.S. Consulate Fukuoka, I trust that each one will fully bloom during the course itself.

Introduction to Issues in International Security is a collaboration between the Center for International Security and Cooperation (CISAC) and the Stanford Program on International and Cross-Cultural Education (SPICE). Four CISAC scholars are featured in accessible video lectures that aim to introduce high school students to issues in international security and increase awareness of career opportunities available in the field. Free discussion guides, developed by SPICE, are available for all of the lectures in this series.

The CISAC scholars and descriptions of their lectures are listed below.

• Martha Crenshaw: Terrorism and Countertterrorism

Professor Crenshaw explores some fundamental issues about terrorism, such as why people resort to terror, the political goals of terrorism, and the importance of understanding the complex web of relationships among terrorist organizations.

• Rose Gottemoeller: International Security and DPRK’s Nuclear Program

The Honorable Gottemoeller discusses the difference between national and international security. She takes a close look at the nuclear weapons program of North Korea and highlights the possible danger that North Korea’s nuclear weapons could pose to the world, as well as different ways to mitigate this risk.

• Norman Naimark: Ethnic Cleansing and Genocide

Professor Naimark discusses the difference between ethnic cleansing and genocide. He highlights key historical events that have taken place around the world and discusses the “Responsibility to Protect” and how it has shaped the way the international community responds to such atrocities.

• Megan Palmer: Biosecurity

Dr. Palmer discusses how biological threats shape our world—different types of threats and what we can do to prevent and to prepare for them.

An online symposium for high school students from four high schools is being planned for May 2022. They will have the opportunity to meet with one or two of the CISAC scholars to discuss issues in international security and careers in the field of international security. The online symposium is part of CISAC’s and SPICE’s DEI-focused efforts. In the 2022–23 academic year, CISAC and SPICE will invite high school teachers, who introduce the curriculum series, to recommend students to a second online symposium.

For more information about the curriculum series and the 2022–23 symposium, contact Irene Bryant at irene3@stanford.edu.

Among the blank screens and muted microphones that plagued remote high school learning during the COVID-19 pandemic, I enrolled in the Sejong Korea Scholars Program (SKSP) at the Stanford Program on International and Cross-Cultural Education (SPICE) and found a completely opposite learning experience.

My passion for Korean history and geopolitics first began when I learned the Korean alphabet system, Hangul, in my history books for Advanced Placement World History. My class, however, only covered the Han Chinese Dynasty briefly before moving on to Europe. Upon asking if we would return to the Asian continent, my teacher hastily replied that we already covered what we “needed to know to pass the test.”

I needed to learn more than what my classroom provided. Then I discovered SKSP, which provided an opportunity for me to learn from top Korea scholars about various perspectives of Korean history and more. SKSP taught me the rich history of Korea that is not covered by the limited high school academic curricula. After being admitted to the program, I was also honored to accept a scholarship that covered the tuition, given my status as a low-income student.

Classes swiftly started in the spring semester. We received textbooks, log-in information, and a warm welcome. I met the faces of my peers as they voiced their passions and motivations leading them to SKSP. Alongside these top students representing 13 states, I found a rigorous environment and yet never once felt “less than” any of my peers.

Our weekly seminars followed in a highly organized manner and had exceptional professors from across the country. We began with the three ancient kingdoms: Goguryeo, Baekje, and Silla, and then delved into post-1900s Korea, Colonial Korean history, the Korean War, the Miracle on the Han River, and the nation’s final emergence as a trillion-dollar economy.

Korean economics was especially intriguing. SKSP allowed me to converse live with leading experts like Professor Danny Leipziger from George Washington University. In his lecture, he described the factors for South Korea’s economic expansion and how they contributed to the nation’s unprecedented global accomplishments. This topic strongly influenced my final research paper on the current housing crisis in Seoul, in which I analyzed how the collaboration of public and private sectors in South Korea created a unique Jeonse, also known as “Key Money Deposit.”

On top of these experiences, the true learning came from our peer review process for our research papers. I read outstanding papers from all of my exemplary peers and observed how each student developed a unique style of incorporating evidence to defend their thesis. Some incorporated game theory and U.S sanctions in their papers.

SKSP provided an otherwise unattainable learning opportunity in terms of intercultural literacy, historical perspective, collaboration, critical thinking, and global awareness. It gave me the chance to develop into an intelligent global citizen, who is able to comprehend alternative views and pursue interests in a career in ambassadorship. As I attend university, I will pursue a double major in Korean Studies and Language and Engineering.

Stanford e-Kobe is an online course for high school students in Kobe City, Japan. Launched in fall 2021, it is offered by the Stanford Program on International and Cross-Cultural Education (SPICE) in collaboration with the Kobe City Government. The Instructor of Stanford e-Kobe is Alison Harsch. One of the key themes of the course is diversity and Hinako Saldi Sato focused her talk on women’s empowerment. SPICE is grateful to Mayor Kizo Hisamoto for his vision and leadership, and to Superintendent Jun Nagata, Board of Education, for his unwavering support. SPICE also greatly appreciates Toshihiro Nishiyama, Board of Education member, and Satoshi Kawasaki and Akito Ojiro, Kobe City staff, who serve as liaisons between SPICE and the Kobe City Government.

Hinako Saldi Sato is musician, educator, marketer, and community leader with a passion to create opportunities and platforms for people around the world to connect and learn through music. After graduating from Berklee College of Music, Hinako gained recognition as a performer with internationally acclaimed acts such as Women of the World, a collective of innovative musicians from across the globe. Between 2016 and 2019, Hinako helped to manage the Boston chapter of Women in Music, which is dedicated to fostering equality in the music industry through the support and advancement of women. In January 2019, Hinako launched Women in Music’s first chapter in Japan, in hopes of contributing to creating a platform that would serve to advance and elevate women’s roles and voices in the music industry. Hinako now works as the marketing lead at the Tokyo-based Ableton KK, the Asia Pacific (APAC) division of the German music software/hardware company.

Hinako shared four reflections on her life experiences that clearly resonated in the 26 students in Stanford e-Kobe and especially among the girls.

• Hinako grew up in an environment where most musicians were male, and she was often the only girl in the room.
• She was fortunate to have been offered multiple opportunities to study and excel in her career—thanks to schools, organizations, and communities that cared about diversity, equity, and inclusion (including being the recipient of both merit-based and need-based scholarships).
• She has witnessed so many women in her life who are struggling or are at disadvantages because of gender roles, gender bias, and other gender-based inequality.
• She didn’t have a role model or someone who was like her until she went to the United States for high school and this reinforced her desire to advocate for greater representation among girls and women.

These four reflections continue to shape her mission in life in multiple ways. As a musician, she has performed with Women of the World, which showcases four different singers from the United States, India, Italy, and Japan. Currently, Women of the World performs in 37 different languages, and Hinako noted that “it’s like you’re in a musical journey around the world.” In teaching, her philosophy is that education is a lot about “leading out” or reinforcing in people what potential they have and what they already know. As a community leader, she has organized groups such as Boston Joshikai, which has the goal of forming a sisterhood among Japanese women residents as a way to build their social capital. Boston Joshikai helps to fight the “scarcity mindset” that sometimes arises when one is a minority in a foreign country. As a public speaker at events such as the International Women in Business Conference 2018, she strives to encourage women to think beyond borders. Finally, at Ableton KK, an important focus of her work is about lowering barriers for people to enter the world of music-making through the use of music technology tools, especially in the education sector.

During the question-and-answer period, student Hinata Ogawa asked, “Can music contribute to women’s empowerment in some way?” Sato replied, “Yes, absolutely. Actually, at Women in Music in Japan we wrote an article about the history of feminism in the music industry, in which we were just touching upon this topic for the Japanese music scene. When you listen to Japanese pop music, for example, the lyrics are mostly about heterosexual relationships like romantic relationships right? But in the U.S., you see a lot of music that talks about female empowerment like Beyonce’s ‘Run the World’ or you know like Sara Bareilles’ ‘Brave.’… There are many examples of how music can be used to empower not just women, but also certain minority groups. And in Japan, if you check out female rappers like hip hop scene, they are speaking out, talking about feminism in the form of rap and it’s quite exciting… like Daimon Yayoi.”

Other student questions and comments focused on the importance of expanding one’s circle or community; the importance of improving child care systems to help women in the workplace and to provide childcare leave systems for fathers; addressing stereotypes of women and the importance of mindset; and addressing gender bias in schools. Instructor Harsch commented, “Listening to the questions and comments by my students made me realize what a great role model Hinako is to them and other youth in Japan who have the good fortune to cross paths with her. Hinako was the final lecturer for this year’s class and I can’t think of a more ideal lecturer given the way that she engaged them to critically think about gender-related issues and self-empowerment.”

Observing the class on women’s empowerment helped me realize that Stanford e-Kobe is empowering students to aspire to “BE KOBE,” the city’s civil pride message to gather the idea that what makes Kobe attractive is the citizens who are proud to take on new challenges. The BE KOBE Monument[1] was installed in the Meriken Park to commemorate the 150th anniversary of opening the Port of KOBE in 2017. I am very confident that the Stanford e-Kobe students will carry the spirit of BE KOBE into their very bright futures.

Back in the late 1930s and early 1940s, when it was still relatively novel to use photographs in the press to inform and influence public opinion and policy, Marion Post Wolcott captured images of life in rural America to galvanize support for the New Deal. She was hired as a photographer for the Farm Security Administration (FSA), a federal agency dedicated to improving the lives of America’s most impoverished farmers. Her images vividly exposed the social and economic conditions wrought by the Great Depression and Dust Bowl, and included tenant farmers, migrant workers, cotton pickers, among others, all living in poverty and racially divided communities.

Only the second woman hired on the project, Marion traveled backroads for weeks on end alone—a brave and determined assignment for a young, white woman at that time. She was influenced early by a traveling mother who pioneered birth control clinics with Margaret Sanger and a loving relationship with her Black caregiver, and was later exposed to progressive ideas, art, and education in New York City and Austria as Hitler rose to power. These experiences helped Marion view inequity and injustice through the lens of race, class, and gender, and her interest in photography deepened as a way to illuminate complex issues and influence social change.

As she traversed the states, hauling her heavy camera, film, light meters, tripods, and flash bulbs, she connected with women and children, entered homes and fields, changed flat tires on creekbed roads, finding creative ways to earn the trust of the people she photographed. In addition to scenes depicting specific, candid moments in U.S. history, her images also captured enduring racial tensions, class discrepancies, and reflections of shared humanity.

At the height of her photographic career, Marion’s professional life suddenly ended in 1942, after she met her husband Lee Wolcott, an assistant to Secretary of Agriculture Henry Wallace and recent widower with two young children. Amid the frenzy of McCarthyism, the Wolcotts opted to leave D.C. and try their hand at farming. Marion put down her camera to focus on the demanding roles of farm wife and mother to her growing family.

Years later, leaving the farm for her husband’s USAID posts in Iran, Egypt, Pakistan, and India, Marion picked up her camera again to capture social and political images. Upon retirement back in the United States, she continued photographing people and activities of personal interest such as anti-war protests and other social movements. Some of these images have been included in exhibits and media as FSA photographs became increasingly featured in present-day discussions. Her FSA film negatives remain archived in the U.S. Library of Congress and her prints are included in major collections including the Metropolitan Museum of Art and Smithsonian Institute.

Despite late recognition, Marion often reflected on and grappled with the hard choices women of her generation faced as they tried to balance raising a family with a professional career. A few years before her death in 1990, as a keynote speaker at a Women in Photography Conference, Marion said to her audience:

Marion Post Wolcott is my grandmother and her photographs have been the wallpaper of my life. A tenant farmer’s child with bowed legs from rickets walking down a path of parched earth, migrant vegetable pickers and coal miners, African Americans in fields of cotton and jitterbugging in a juke joint, bountiful landscapes of America the Beautiful (officially requested to reassure and inspire the public), and shots taken for contrast of wealthy patrons at the horseraces and private beach clubs—these are just a few of her images creating a gallery in my home. Marion’s great-granddaughters now ask questions about the scenes and I hear my grandmother’s voice, sense of adventure, humor and deep care as I relate her stories. Despite her compromises and even some regrets, her example of a bold, engaged, and independent woman helped pave the way for generations to come.

SPICE will feature a selection of Marion Post Wolcott’s photographs in an ongoing series along with organizing questions for educators. The themes will relate to those prefaced here—the challenging conditions that spurred the dynamic and far-reaching programs of the New Deal including significant investments in national infrastructure, social security, and public welfare, as well as efforts to change attitudes and inspire compassion toward fellow Americans. The photographs also raise discussions about the influence of an historian’s perspective. For the featured photo in this article, the following questions are recommended:
 

1. This photo was taken when Jim Crow laws were being enforced in the South after the Civil War. What were Jim Crow Laws? What did you first notice in the photo? How does the caption help you understand what was happening at this time in U.S. history? What do you think Marion Post Wolcott was trying to capture in the photograph? How does the photograph help to increase your understanding of written descriptions of Jim Crow laws in your U.S. history textbook?
2. What is the significance of the Plessy v. Ferguson (1896) landmark decision of the U.S. Supreme Court?
3. What is the significance of the Brown v. Board of Education (1954) landmark decision of the U.S. Supreme Court? 
4. What acts brought Jim Crow laws to an end?
5. What has been the role of the Supreme Court in shaping the history of segregation in the United States?
6. Do you think the photo relates to African American lives today and/or to related social movements? Why or why not?

Kouji Yamada (MBA, Harvard), former Visiting Lecturer, Hitotsubashi University Graduate School of International Corporate Strategy, is an advisor to Stanford e-Hiroshima. His parents, Ryuji and Nanako, are supporters of Stanford e-Hiroshima, which is an online course that SPICE offers to high school students in Hiroshima. Taught by Rylan Sekiguchi, Stanford e-Hiroshima was launched in 2019 with the support of the Hiroshima Prefectural Board of Education. SPICE is grateful to Governor Hidehiko Yuzaki for his vision and leadership and Superintendent Rie Hirakawa for her unwavering support.

Ryuji Yamada adjusts the window shades to savor the view that grows elusive to his aging eyes. If you gaze towards Diamond Head from the Yamadas’ condominium, kite surfers glide in and out of your perspective in some random Brownian motion; their paths, pace, and direction seem chaotic. They all share the same wind, waves, and current, but the skill of the rider to look ahead and channel the energies around them sends them on very different and wonderful journeys. 

“I was just 14 living in Hiroshima and still a minor when the bomb dropped. My brother was only one year older but considered an adult and was sent on work detail for defense preparations. He had to walk through ground zero to come home. My father had a meeting at City Hall, but the ferry was cancelled. We all survived, but the blast sent us in very different directions.

“They rebuilt the community with their personality, spirit, and bare hands, but I was pushed inward to my studies. I needed to comprehend the natural force that had wrought so much destruction.

“In the sixties, foreign exchange was scarce, and I was one of the first scientists that the Japanese government sponsored to do research abroad. At Cornell, Robert Wilson guided my career and brought me along to establish what became Fermilab in 1967. We built Fermilab as an oasis of fundamental research in the Illinois prairie. We thought that the pursuit of knowledge would unite us. Wilson’s famous defense in April 1969 of Fermilab to Congress seems even more relevant today.

‘Are we good painters, good sculptors, great poets? I mean all the things that we really venerate and honor in our country and are patriotic about. In that sense, this new knowledge has all to do with honor and country, but it has nothing to do directly with defending our country except to help make it worth defending.’”[1]

The following is Part 7 of a multiple-part series. To read previous installments in this series, please visit the following articles: Part 1, Part 2, Part 3, Part 4, Part 5, and Part 6.

Since December 8, 2020, SPICE has posted six articles that highlight reflections from 49 students on the question, “What does it mean to be an American?” Part 7 features eight additional reflections.

The free educational website “What Does It Mean to Be an American?” offers six lessons on immigration, civic engagement, leadership, civil liberties & equity, justice & reconciliation, and U.S.–Japan relations. The lessons encourage critical thinking through class activities and discussions. On March 24, 2021, SPICE’s Rylan Sekiguchi was honored by the Association for Asian Studies for his authorship of the lessons that are featured on the website, which was developed by the Mineta Legacy Project in partnership with SPICE.

Since the website launched in September 2020, SPICE has invited students to review and share their reflections on the lessons. Below are the reflections of eight students. I am grateful to Dr. Ignacio Ornelas, Teacher, Willow Glen High School, San Jose, California; Mineko Todd, Teacher, Waiakea High School, Hawaii; Aya Shehata, Hilo High School, Hawaii; and Kathryn Tolbert, a former editor and reporter at The Washington Post for their support with this edition. The reflections below do not necessarily reflect those of the SPICE staff.

Kylie Copeland, California
What makes one an American is not based on their ethnicity or the color of their skin, but rather their devotion to life, liberty, freedom, and the pursuit of happiness. These unalienable rights and their importance have been repeated in many pieces of American literature. These rights have shown to not hold as much value when concerning race. As a White-Vietnamese woman, I have endured experiences where I have been treated like I don’t fit an American profile, even though my morals are those that align with the unalienable rights. It is important to understand that one who is American is one who is determined to fight for liberty, and fight for freedom, and fight for those who are affected daily by these important rights.

Janessa Dillion, California
American ideals are among of the most falsely advertised concepts I have had to face growing up. I was taught that there is pride in being an American and what the country stood for. “Liberty and justice for all” is a lie when our own justice system would condone slavery and police brutality. Our founding fathers constructed a country benefiting only the people that they thought mattered. America is not broken; it is how it was intended to be and now it’s up to the youth (the leaders of the future) that recognize this to not “fix” it but to deconstruct what we currently have in place. I am proud to be an American because I get to create a better future and that’s where my patriotism lies.

Evan Ingerick, Pennsylvania
I take being American for granted. I’m a third generation Japanese American. My great-grandmother is a war bride from Japan. I live in rural Pennsylvania. I have heard stories from my grandpa about being bullied about his skin and race. To me, times have changed where kids aren’t as prejudiced. When I think of being American, I think of all the “freedoms” we have. For me, it is freedom of speech, religion, the ability to choose courses for my choice of a career. I can play all sports. I can do anything anyone else can. If I question what being an American is, I wonder if our democracy is eroding because of all race-related riots, immigration problems, voting systems problems in the news today. These things concern me.

Justin Katayama, New York
While the Japanese tend to be bound to their idea of peace, Americans tend to believe that they are the ones who can bring about justice by raising their voice. While the Japanese believe the same thing, they don’t speak out because they prioritize harmony. Because Japan is very conservative, there is not as much conflict. While I am of Japanese ancestry, I was born and raised in America. I was raised to have the mentality that my opinion matters and that I should speak out when I believe I should. Being an American means that my voice isn’t bound by anything and that it will always be heard by someone.

Mailiokawailelenani Mckeague, Hawaii
Living around 2,000 miles away from what I think is the true America, the term “American” has never been more than the title of the country I live in. I say the Pledge of Allegiance every morning and watch the news every night, yet there is rarely any mainstream media on Hawaii, where I live. There is a big debate on whether Hawaii is a part of America since it was illegally overthrown. With my father being Japanese and Hawaiian and my mother being from Brazil, there seems to be a big gap between where I fit into this idea of being an American. Yet to me, that seems exactly what it means to be American. To be American means to live in a diverse community of people who may not feel like they fit in but they call America home nonetheless. 

Daniela Muñoz, California
Even though we live in a land of freedom, oftentimes being American means having the necessity to fight for equality and justice. People see America as such a perfect country. In reality, a lot of people have had to fight hard to have the opportunities that they have today. My parents are immigrants who came to the United States for better opportunities. They followed their American dream to accomplish things that they wouldn’t have been able to accomplish in their home country. I have Mexican roots and I sometimes think that I will never truly feel the full experience as an American, but I will contribute to traditions and help better the community. It is the significance of maintaining our traditional culture regardless that is important to me.

Nyla Gaeta Nedrow, California
Since its foundation, the United States has been recognized as a pioneer for change. As Americans, I think it’s our duty to keep pushing for progress in areas such as equity and fairness. Our country is far from perfect but when we stand united towards a common goal, anything is possible. From the American Revolution to our most recent election, the American people have proven again and again that we can be agents for change. Being an American means having a nuanced understanding of our country’s past and present. Just because we are asking for improvement does not mean we love our country any less. If anything, I think it means quite the opposite. We ask for improvement because we want the best for our country and for its people.

Hokulani Thomas, Hawaii
When I think about what it means to be an American, I think about diversity. Our country is made up of all different kinds of people from all over the world. From where I am from, which is Hawaii, being mixed race is completely the norm. You could take a walk around town and meet and see people of all different backgrounds. And while to this day there is still prejudice and hate over some cultures and races, in Hawaii we have love and aloha for one another, and we celebrate and support one another’s cultures. So when I think about what it means to be an American, I think about diversity, and how we are getting more and more accepting of different cultures every year.